Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Gerard ter Borch the Younger
Knabe floht seinen Hund

ID: 93649

Gerard ter Borch the Younger Knabe floht seinen Hund
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Gerard ter Borch the Younger Knabe floht seinen Hund


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Gerard ter Borch the Younger

painted Mother Combing the Hair of Her Child. in 1652  Related Paintings of Gerard ter Borch the Younger :. | Woman at a mirror | A Woman playing a Theorbo to Two Men | Portrait of Cornelis de Graeff (1650-1678) | The Ratification of the Treaty of Munster, 15 May 1648 | Ratification of the Peace of Munster between Spain and the Dutch Republic in the town hall of Munster, 15 May 1648. |
Related Artists:
Jean Baptiste Gautier Dagoty
(1740 -1786 ) - Drawer
Federico Barocci
Italian Mannerist/Baroque Era Painter, ca.1535-1612
FOSCHI, Pier Francesco
Italian painter, Florentine school (b. 1502, Firenze, d. 1567, Firenze) was an Italian painter active in Florence in a Mannerist style. He was pupil of Andrea del Sarto and assisted Pontormo with his frescoes at Careggi in 1536. He completed 3 altarpieces, commissioned in 1540C1545 for the church of Santo Spirito in Florence: an Immaculate Conception, Resurrection , and a Transfiguration. Foschi was also influenced by and Il Bronzino. One of his pupils was Alessandro Fei. Also called Pier Francesco di Jacopo Foschi or Toschi. He was the son of Pierfrancesco di Jacopo Sandro Foschi, known for his Madonna and Child with the Infant Saint John. (Utah Museum of Fine Arts). Foschi is best noted for his portraits painted between 1530 and 1540, including his Portrait of a Lady (Museo Thyssen-Bornemisza), Portrait of a Young Man Weaving a Wreath of Flowers (Utah Museum of Fine Arts), and his Portrait of a Man, (Uffizi Gallery). In his portraits he adhered to Mannerist style, utilizing a slight Contrapposto in the sitter with their head turned from the body. This pose gave the depiction a spontaneity and sense of movement for the innovative Mannerists, but was eventually so formulaic that it lost its intention of originality.






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